“RESPONDING” Narrative Statement about a Student’s Own Work “CRITIQUE” RI Visual Art Proficiency Based Graduation Requirements |
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Criteria |
Exceeds Standard Advanced 4 |
Meets Standard Proficient 3 |
Below Standard Emerging 2 |
Beginning 1 |
Analysis of creating process PBGR-VA, R2 |
The student… Analyzes process in depth by referencing conceptual beginnings and problem solving and decision making strategies and techniques |
The student… Analyzes process by referencing conceptual beginnings and problem solving and decision making strategies and techniques |
The student… Identifies process by referencing conceptual beginnings and problem solving and decision making strategies and techniques |
The student… Identifies some of the process by referencing conceptual beginnings and problem solving and decision making strategies and techniques |
Reflecting on meaning of work PBGR-VA, R2 GSE: (W-10-6.1, 6.2, 6.4; W-10-7.2, 7.4, 7.5; 10-8.2, 8.3) |
Identifies in detail things about the work that can be seen, named, and described with certainty Analyzes extensively the interrelationships and organization of art elements and subject matter Interprets based on deep analysis to identify meaning of work |
Identifies things about the work that can be seen, named, and described with certainty Analyzes interrelationships and organization of art elements and subject matter Interprets based on analysis to identify meaning of work |
Identifies some things about the work that can be seen, named, and described with certainty Analyzes some of the interrelationships and organization of art elements and subject matter Interprets based on some of the analysis to identify meaning of work |
Identifies few things about the work that can be seen, named, and described with certainty Analyzes a few of the interrelationships and organization of art elements and subject matter Interprets based on little analysis to identify meaning of work |
Assessment of work PBGR-VA, R2 |
Evaluates work based on preceding in depth analysis of work’s meaning and with analysis of craftsmanship, design quality, expressiveness, originality, and comparison of similar kind of artwork |
Evaluates work based on work’s meaning and describing craftsmanship, design quality, expressiveness, originality, and comparison of similar kind of artwork |
Evaluates work based on some of the preceding analysis of work’s meaning and describing some craftsmanship, design quality, expressiveness, originality, and comparison of similar kind of artwork |
Evaluates work based on little preceding analysis of work’s meaning and describing little craftsmanship, design quality, expressiveness, originality, and comparison of similar kind of artwork |
Value gained by personal involvement in visual arts PBGR-VA, R2) GSE (W-10-6.4) |
Analyzes a connection of new understanding/appreciation based on new knowledge Analyzes how reflective process expands personal value of art |
Identifies a connection of new understanding/appreciation based on new knowledge Identifies how reflective process expands personal value of art |
Identifies some connection of new understanding/appreciation based on new knowledge Identifies vaguely how reflective process expands personal value of art |
Identifies little connection of new understanding/appreciation based on new knowledge States that reflective process expands personal value of art |
Knowledge of another culture and/or artistic period PBGR-VA, R2 GSE (W-10-6.5,6.6) |
Analyzes effective use of cultural and/or art historical references in artwork Effectively supports valid arguments with detailed evidence, citing sources of information when appropriate; Includes appropriate facts and details, excludes extraneous information Uses several strategies to inform & defend, such as, anecdotes, statistics, details, descriptions, examples, etc |
Identifies effective use of cultural and/or art historical references in artwork Supports valid arguments with evidence, citing sources of information when appropriate; Includes appropriate facts and details, excludes extraneous information Uses at least one strategy to inform and defend, such as, anecdotes, statistics, details, descriptions, examples, etc |
Identifies vaguely effective use of cultural and/or historical references in artwork Attempts to support arguments but some evidence and/or analysis lacks clarity, accuracy or correct citations. Most facts & details are relevant Some strategies to inform & defend are unclear or ineffective |
States that there is effective use of cultural and/or historical references in artwork Most arguments are not supported with valid or clear evidence and/or most interpretations are inaccurate and/or not correctly cited Little attempt at using strategies to inform |
Connections Between Content/Concepts in other Disciplines PBGR-VA, R3 |
Analyze contextual/conceptual connections artwork has in other discipline(s) comparing and contrasting specific correlating examples |
Identifies contextual/conceptual connections artwork has in other discipline(s) citing specific correlating examples |
Identifies loose contextual/conceptual connections artwork has in other discipline(s) citing general correlating examples . |
States that there is a contextual/conceptual connection artwork has in other discipline(s) |
Engages and orients the reader GSE: W-10-14.1, 14.2, 14.3 |
Engages the reader by establishing in depth context Analyzes the artwork’s significance as the basis for the reflection Uses an organizational structure that allows for a progression of ideas to develop |
Engages the reader by establishing context Analyzes the artwork’s significance as the basis for the reflection Uses an organizational structure that allows for a progression of ideas to develop |
Engages the reader by establishing context Analyzes the artwork’s significance as the basis for the reflection Uses an organizational structure that allows for a progression of ideas to develop |
Engages the reader by establishing context Analyzes the artwork’s significance as the basis for the reflection Uses an organizational structure that allows for a progression of ideas to develop |
Uses a range of writing strategies GSE: W-10-14.4 |
Skillfully uses a range of elaboration techniques (i.e., questioning, comparing, connecting, interpreting, analyzing, or describing) to establish a focus |
Uses a range of elaboration techniques (i.e., questioning, comparing, connecting, interpreting, analyzing, or describing) to establish a focus |
Uses some elaboration techniques (i.e., questioning, comparing, connecting, interpreting, analyzing, or describing) to establish a focus |
Uses few elaboration techniques (i.e., questioning, comparing, connecting, interpreting, analyzing, or describing) to establish a focus
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Creates an organizing structure GSE: W-10-1, 14.5 |
The narrative is skillfully organized from beginning to end; this organization can be, but is not necessarily, sequential. This includes an opening, body, and closure that are complex |
The narrative is clearly organized from beginning to end. This includes an opening, body, and closure |
The narrative includes an opening, body, and closure; however, one or more of these elements is not fully developed |
The organization is incomplete or one or more of the elements causes confusion |
Demonstrates understanding of English language conventions GSE: W-9 |
Demonstrates consistent control of grammar, usage, punctuation, sentence construction, and spelling No errors |
Demonstrates control of usage, grammar, punctuation, sentence construction, and spelling Occasional errors do not usually interfere with meaning |
Demonstrates some control of usage, grammar, punctuation, sentence construction, and spelling Frequent errors interfere with meaning |
Demonstrates little control of usage, grammar, punctuation, sentence construction, and spelling Numerous errors interfere with meaning |
Revises to clarify meaning GSE: W-10-1 |
Ample and convincing evidence that the additions, deletions, substitutions and/or rearrangements are substantive and significantly improve the clarity, focus, or impact of the writing The writer’s understanding of how and/or why the changes were necessary and beneficial is clear, thorough, and insightful |
Clear and convincing evidence that the additions, deletions, substitutions and/or rearrangements are substantive and significantly improve the clarity, focus, or impact of the writing The writer’s understanding of how and/or why the changes were necessary and beneficial is clear and thorough |
Some evidence that additions, deletions, substitutions and/or rearrangements are substantive and significantly improve the clarity, focus, or impact of the writing The writer may not clearly understand what changes were needed or be able to convincingly and accurately explain why or how |
Few substantive changes or changes which fail to improve the clarity, focus, or impact of the writing The writer lacks understanding of what to change and/or why |
· This rubric was developed by a learning community of RI art educators. This rubric is used throughout the state for responding to individual art work through written critique.